Jeff Strain (He/Him)
President & Executive Producer
During his nearly 30 years of experience in the game industry, Jeff has helped create and influence some of the biggest online games to date. While working as a programmer on StarCraft and Diablo, Jeff created the StarCraft campaign editor. He headed up initial development on World of Warcraft and would later serve as Lead Programmer and Team Lead. Next, Jeff cofounded ArenaNet, where he worked as a programmer and the Executive Producer on the Guild Wars franchise. After NCsoft acquired ArenaNet, Strain would go on to become President of Product Development for the company’s North American and European operations. Returning to his development roots, Jeff established Undead Labs to create the definitive zombie survival-fantasy game. State of Decay launched to critical and popular acclaim, and was followed by State of Decay 2, which has been played by more than ten million people around the world.
Richard Foge (He/Him)
VP of Design & Creative Director
Richard brings over 20 years of experience in the game industry. He began his career at Atari and Pacific Coast Power & Light before joining Sony Santa Monica, where he worked as a combat designer on God of War. At Zipper Interactive, Richard was Lead Multiplayer Designer for SOCOM U.S. Navy SEALs: Fireteam Bravo series. Richard joined ArenaNet, where he worked as a Lead Designer and on Guild Wars. Most recently he worked at Undead Labs as Design Director on the State of Decay series, and at ProbablyMonsters as Player Design Lead.
Brandon Dillon (He/Him)
VP of Engineering & Technical Director
Brandon has worked previously at ArenaNet, as a Programmer on Guild Wars and team lead prototyping new MMO technologies and game concepts. As Technical Director at Double Fine Productions, Brandon worked on Grim Fandango Remastered, as well as Hack ‘n’ Slash and others. Most recently, Brandon worked as Product Management Director for Oculus VR, where he led a team responsible for core software development and strategy across all VR products. Brandon brings technical expertise for building digital infrastructure and a passion for immersive player experiences to the team.
Austin Walker (He/Him)
Austin’s background is a unique blend of gaming journalism and criticism, academia, and creative work. He holds a Masters in Aesthetics and Politics from CalArts and has bylines at Paste, Gamespot, Giant Bomb, and others. Most recently, Austin served as Editor-In-Chief of Waypoint and host of Waypoint Radio. His interests and work often examine the intersection of labor politics and the game industry. Since 2014, Austin has hosted the popular tabletop roleplaying podcast Friends at the Table, featuring a unique and potent blend of collaborative storytelling and critical worldbuilding.
Christopher Dragert (He/Him)
Gameplay Engineering Director
Christopher is a game developer, researcher, and educator. He holds a PhD in Game AI from McGill University. He has worked at Ubisoft Toronto, as an AI Programmer on Watch Dogs 2, where he built the group behavior system. For Watch Dogs: Legion, Christopher worked as lead game systems programmer, and later as Senior Lead Programmer, AI, UI, and Systems. He has presented at two GDC events (2016 and 2021) on the novel AI and game systems he’s helped develop.
Aaron Matthew (He/Him)
Systems Engineering Director
Aaron worked as Chief Technology Officer at Fable Labs, doing narrative system development and tooling. He worked previously as Tech Director at Niantic and Seismic Games, where he worked on Magic Spellslingers, a Magic: The Gathering mobile game. Aaron has also worked as Director of the Gaming Business Unit at Asvathaa Inc and Lead Game Designer and Tech at Meteor Games, doing MMO development. Aaron’s skillset and background include code architecture, systems design, game mechanics, large scale online networks, market research and business.
Vincent Perea (He/Him)
Vincent worked at Disney, developing games featuring the worlds of Frozen and Inside Out, among others. He is co-creator of the award-winning mobile game Where’s My Water?, which topped the App Store charts, as well as The Misadventures of P.B. Winterbottom and others. He worked as Art Director on Neo Cab, the critically acclaimed BAFTA-nominated game from Chance Agency. Vincent was the Studio Art Director at Jam City, working on development for mobile games like Disney Emoji Blitz and Disney Frozen Adventures. He brings 15 years of experience in game art and development to the team.
Mike Bauer (He/Him)
Director of Backend Engineering
Mike worked previously at Electronic Arts, as a Software Engineer modernizing the way EA hosts game servers and platform services, and working with partner studios to launch Battlefield 5, Need for Speed, and the Star Wars Battlefront games, among others. As a Software Engineer at Microsoft, Mike worked on the Xbox Live team, developing methodology for managing servers, games, and player information, and assisting in launch for titles like Titanfall, Halo, Forza, and Call of Duty. At ArenaNet, he helped prototype new MMO technologies and game concepts. Most recently, Mike worked at Axon as Senior Staff Software Engineer, developing real-time interactive mission critical services for Computer Aided Dispatch.
Giorgio Vezzini (He/Him)
Giorgio worked most recently as Lead Audio on Baldur’s Gate 3 for Larian Studios. He has worked as a third-party vendor for clients such as Riot Games, Microsoft, Capcom, and Rocksteady, on games including League of Legends, the Batman: Arkham series, Forza Horizon 2, and Fable 2 and 3, among others. Giorgio’s audio work has been included in video games, theatre performances, interactive installations, live music, films, and more. He leads classes, workshops, and mentorship programs to support the next generation of audio professionals.
Brian Dean Jennings (He/Him)
Technical Design Director
Brian has over 25 years of experience in the game industry. His passion is around the implementation of digital tools and optimizing iteration speeds to create dynamic and accessible story-making tools for players. As Lead Technical Designer for Magic Leap, Brian worked on the augmented reality game Dr. Grordbort’s Invaders. Previously he worked as a designer on SimCity for Maxis, multiple instalments in the SOCOM series for Zipper Interactive, and on Evil Dead: Regeneration at Cranky Pants Games. As a designer, Brian worked at Neversoft on Tony Hawk’s Pro Skater 3, 4, Underground and Spider-man. At Activision he worked as a designer on Interstate ‘76/’82, MechWarrior II, and Zork: Nemesis, among others.
Christi Rae (She/her)
Omar Kendall (He/him)
Paul Murray (he/him)
Paul always likes to tell his team, “We just make games.” Rather than downplaying the value of what they make or not take pride in his work, he wants his team to be kind to themselves. He operates on a people-first philosophy, which is why he was attracted to Possibility Space in the first place. He had his first taste of the Producer role at Riot Games before pursuing his desire to be a programmer and be directly involved with a game’s development. But the Producer role wouldn’t evade him for long – his time as a substitute Producer at Proletariat eventually became permanent. He views his role as helping his team to not only make and own an awesome experience for players, but also to flourish however they want while maintaining a healthy workload. If he’s not gaming, running, or rock climbing, you’ll find him adopting a son-first philosophy and cherishing his time with his nine-pound demon pomeranian son, Loki.
Charles Randall (He/Him)
Senior Gameplay Engineer
Charles worked as Lead Gameplay Programmer on Watch Dogs: Legion for Ubisoft Toronto and Below for Capybara Games. As a Senior Gameplay Programmer for Ubisoft, Charles did combat programming and design for Assassin’s Creed and Assassin’s Creed II, and worked on movement systems design and player control for Splinter Cell: Blacklist. At BioWare, he did programming on Star Wars: Knights of the Old Republic, among others. Charles brings a focus on effective team-building and development practices, as well as experience creating game systems and tools from scratch.
Leah Rivera (She/Her)
Principal Narrative Systems Designer
Leah began her career at Microsoft, before moving to ArenaNet, where she worked as a content designer for Guild Wars 2. She worked at Undead Labs as a Principal Content Designer on the State of Decay series. Leah brings a swath of skills and experience, from immersive and compelling narrative design implementation, to innovative storytelling, world-crafting and more.
Katie Hansche (She/They)
Katie is the inaugural participant of our developer mentorship program. She is a graduate of the Texas A&M Maritime Academy and a former baker. Katie runs regular tabletop role-playing games for young people in their community.
Terra Travis (She/Her)
Terra is a professional writer and editor. She has worked on and published a wide range of writing, from technical and copywriting, to political and creative writing. She holds an MFA from the University of Notre Dame.
Erica Tam (She/Her)
Principal Gameplay Engineer
Erica worked as a UI engineer on the MMO Defiance for Trion Worlds, and on Battlefield: Hardline for EA. At Oculus, Erica worked as a software engineer on the cutting edge of emerging XR technologies. Most recently, she was a gameplay engineer for Sledgehammer Games, where she worked on the forthcoming Call of Duty: Vanguard.
Melissa Mazzocco (She/Her)
Senior Environment Artist
Melissa worked as a Senior Environment Artist at Midwinter Entertainment, on the game Scavengers. As a Senior Environment Artist at ArenaNet, Melissa worked on look development and pre-production for several projects in incubation. A self-taught artist, her skills range from level and prop design, to work with materials, shaders, and foliage systems.
Matt Graczyk (They/Them)
Senior Environment Artist
Matt has worked as an environmental artist on a wide range of different types of games, from AAA titles, to VR, mobile and indie games. They worked most recently at Insomniac Games, on Rachet & Clank: Rift Apart and Spider-Man 2. At Method EXP, they worked on Curse of the Lost Pearl: A Magic Projector Adventure and Robin Hood VR. Matt has also spent time as an instructor, teaching intro and advanced level game art classes at the College for Creative Studies in Detroit.
Greg Hendrix (He/Him)
Lead Character Technical Artist
Greg worked as a Character Technical Artist on The Elder Scrolls Online for ZeniMax Online Studios and a Senior Technical Animator at Camouflaj, where he worked on Iron Man VR. He has also worked as a Technical Artist on mobile games for Zynga. As an experienced technical animator, Greg excels at creating high quality character rigs and has developed asset management systems and pipeline technical direction for AAA games.
Russell Petersen (He/Him)
Russell worked as the Lead Rewards Designer on World of Warcraft for the Shadowlands, Battle for Azeroth, and Legion expansions and content updates. As co-lead of the systems design team, he helped construct compelling endgame progression systems, created thousands of items and augmented the story of the world, and helped to build long-lived data structures for more effective and streamlined development. He has worked as a designer on MMOs for 14 years, and brings an empathetic, player-focused approach to project and team management and long-term execution.
Shaylyn Hamm (She/Her)
Senior 3D Character Artist
Shaylyn worked as an Environment Artist on Borderlands 2 for Gearbox Software, creating high poly models and character customizations. She worked at ArenaNet as a Mobile Artist on an unreleased project. As a freelance artist, Shaylyn has worked on character art and illustrations for Valve Corporation’s Dota 2, Counter Strike: Global Offensive, and Team Fortress 2, and has worked with independent studios like Ivy Road, Little Grim Entertainment, and Strange Scaffold.
Tim Stanke (He/Him)
Tim brings more than 10 years of software engineering experience to the team. He worked previously at Meta, first as a Software Engineer handling full stack product with a focus on geolocation, identity, and privacy. He would later become a Software Engineering Manager, working on the Oculus VR system software and platform.
Alexander Youngblood (He/They)
Senior Simulations Systems Designer
Alexander worked most recently as a Senior Progression, Economy, and Investment Designer at Hidden Path Entertainment on an unannounced title taking place in the Dungeons and Dragons franchise. They started their career in the industry as a QA tester at Microsoft, before receiving an internship at ArenaNet. Eventually Alexander was promoted to a full-time position on the Guild Wars 2 team, where he worked on rewards and economy design, guilds, and social systems, and helped ship expansions and live updates.
Olivia Wood (She/Her)
Olivia worked as a writer, editor and narrative designer at Failbetter Games for almost seven years, contributing to Fallen London, Sunless Sea and Sunless Skies. More recently, she was Narrative Lead at Star Stable Entertainment, helping to lay the groundwork for a new, unannounced project. She has written for and consulted on a variety of games and interactive projects, including AR, VR and more traditional platforms, on both new and existing IPs. Much of her past work involves character-driven stories that marry human relationships to fantastical environments and explore uncomfortable choices that mirror those of real life.
Alyssa Vessey (She/Her)
Alyssa worked previously as a software engineer at Google, doing backend Java server development within Search. Previously, she worked at a small engineering firm, writing code for retrofitting vehicles to make them autonomous. Alyssa holds a Masters in Electrical Engineering from the University of Delaware.
Spencer Egart (They/Them)
Spencer worked most recently as Tech Lead and Senior Game Engineer at Monami Park on Slime Rancher and Slime Rancher 2. They previously worked on mobile development at GoFundMe and Google. In their spare time, Spencer researches procedural generation and experimental engineering strategies within the roguelite community.
Esther Ko (She/Her)
Esther worked previously at BioWare, as Lead Creature Animator on the forthcoming Dragon Age game, and on Anthem as a Gameplay Animator. At Hi Rez Studios, she was Animation Lead on Paladins: Champions of the Realm and Gameplay Animator on Smite. She also worked on animations for NBA Live at Electronic Arts Tiburon. Esther's focuses include cross-disciplinary solutions for gameplay pipeline friction points and cultivating a safe, warm workspace for teammates. In addition to her skills as an animator and leader, Esther is an expert at ruining karaoke nights with the most depressing ballad you can imagine.
Sarah Robertson (She/Her)
Sarah worked at Fullbright, initially as Operations Manager focusing on bookkeeping, product development, and marketing. She would later take on the studio’s first producer role, eventually becoming Associate Producer on Open Roads. Sarah worked previously at Dark Horse Comics, as a Sales Associate and eventual Director of Sales. She has also done voice acting work on games such as Gone Home and Dragon Age: Inquisition, among others, as well as work for Adidas and Nike.
Norman Lau (He/Him)
Senior UX Designer
Norman worked most recently as Senior UX Designer on the forthcoming Dragon Age game. At Second Story, Norman provided UX work for interactive installations at museums, universities, and more, focusing on the intersection of digital and physical spaces to tell stories. He holds a Masters in Interaction Design from Carnegie Mellon as well as a computer engineering degree.
Jennifer Lane (She/Her)
Live Director / Social Systems Design Director
Jennifer brings over two decades of game industry experience to the team. She began her career working at Westwood Studios/ElectronicArts in community and design for MMOs, serving as a Lead Designer on Ultima Online and eventually moving into production as a Lead Producer on The Sims 3. At Zynga, Jennifer worked as a lead producer on FarmVille 2. At Glu Mobile, she was Product Owner/Director of Production on Britney Spears: American Dream and Nicki Minaj: The Empire. Most recently, Jennifer worked at Turn 10 Studios as Design Director for the Forza franchise, and as Co-Lead for Women in Gaming at Xbox. Jennifer brings a passion for player-first experiences and inclusivity in games and the industry.
Miguel Vasquez Jr. (He/Him)
Senior 3D Artist
Miguel brings a decade of industry experience to the team. He began his career at Disney, working as a 3D Artist on Temple Run: Oz. As a Senior 3D Artist, Miguel created models, rigging, and animation for projects such as Inside Out Thought Bubbles and the AR project Jedi Challenges. Miguel modeled environments and characters for Disney Frozen Adventures at Jam City. Most recently, at Warner Brothers Games, he prototyped early game concepts for greenlighting and handoff.
Melissa Forbis (She/Her)
Senior Backend Engineer
Melissa worked previously as a Senior Software Engineer at Axon, working on video import and other platform features for law enforcement technology. She has a double degree in Computer Science and Music from the University of Washington and is experienced using Unity for game development.
Hans Janowitz (He/They)
Hans worked most recently at R/GA, an international creative and ad agency. As a Senior Producer and Software Engineer, he worked with clients such as Nike and Verizon. Prior to that he was at Razorfish. Hans is experienced coordinating teams comprised of various specialties, improving efficiency and communication among their projects. Hans has a creative background, getting their start as a graphic and Flash designer.
Ray McKelvy (he/him)
Principal UX Designer
Ray tried to develop his first game at age 13, but was unable to finish it. It would be many years later, while working in the healthcare industry, that he wondered if he could try again. He pushed through the uncertainty to make several mobile games, one of which gained the attention of Sledgehammer Games. After working on four Call of Duty games, he moved on to work at Remedy Entertainemnt, the studio that developed Alan Wake. Through his time at Obsidian and now Possibility Space, he hopes to give others the experiences he had as a gamer when he was little – to explore the video games’ storytelling potential as an interactive medium.
Ajay Karat (he/him)
Ajay has over 20 years of experience in the entertainment industry, starting out in animation and working at companies like Disney and Warner Bros. in India before moving to the United States. He then shifted to making video games, working on PC and mobile titles for companies like Nexon, Rebel Entertainment, Scopely, codeSpark Academy, and MobilityWare. Later, he applied his skills in the healthcare sector, using gamification to build healthy habits and motivate patients to stick to their care plans. At Possibility Space, he champions accessibility to make games intuitive, user friendly, and joyous for players, all while empowering his team and creating a healthy design culture. When he's not thinking about working, he enjoys hiking with his family, mentoring aspiring designers, or developing indie games as a relaxing hobby.
Steven Sugar (he/him)
Senior Concept Artist
As a kid, Steven was inspired by the countless hours spent exploring Legend of Zelda’s Hyrule, Termina, and The Great Sea to make up his own worlds while drawing comics with his sister. That interest in inventing places stuck with him, and over the past 10 years he’s helped flesh out cartoon worlds for some of the biggest names in animation, including Cartoon Network Studios as Lead Background Designer on Steven Universe, and later at Disney TV Animation as Lead Location Designer and Assistant Art Director on The Owl House. Throughout his time working in animation, he couldn’t shake the interest in channeling his passion for world-building into the kinds of games that ignited it in the first place.
Farbod T. (he/they)
Senior Gameplay Engineer
Farbod fell in love with gaming the day his dad bought a PC and Need for Speed. After a career at places like Gameloft, Ubisoft, and Electronic Arts, he finds himself at Possibility Space, working on simulation and gameplay mechanics. He loves the idea of owning bigger systems and becoming an architect of them. They believe that games are not only the next medium through which we simulate our reality, but also the ultimate form of doing so because of the active engagement compared to other mediums – and being a part of that drives them. If he’s somehow not programming at work or on his side projects, you’ll find him playing Factorio or doing yoga.
Nicolas "Qiqo" Stephan (he/him)
Even though Qiqo didn’t speak English when his dad bought an Atari computer, it didn’t stop him from playing and even doing a bit of programming. As he grew older, he developed a passion for TV animation and built a career in the field – but it was when a friend said they were working on a 2D animation video game at Capybara Games that he shifted his sights toward game development. At Possibility Space, he hopes to create a game that evokes the fun, surprise, and wonder that he enjoys feeling from video games. Among his huge library of books are many manga (like Dragonball and YuYu Hakusho), art books, and sketchbooks for his drawing hobby.
Bart Hawthorne (he/him)
Senior Systems Engineer
Despite the changes that life brings, video games have always a constant for Bart. His dream was always to join the industry, so he focused on computer science in high school and college, his heart set on making games. He’s joined Possibility Space after working at places like Icarus Studios, Red Storm Entertainment, and Epic Games, determined to build a framework that supports the developers on his team and their ambitions. He hopes to inspire the same feeling in others that he gets from the games he falls in love with, for he deeply treasures how he can think about a game nonstop when it captures him.
Ellisa Barr (she/her)
Video games helped Ellisa connect with her family, like her dad and her husband, whom she met while gaming. They met in EverQuest and then started their first industry jobs at Mythic Entertainment working on Dark Age of Camelot. After working on games like Warhammer Online: Age of Reckoning and City of Heroes, she took a break to homeschool her kids and write three Young Adult novels. Her love of gaming naturally remained, though, and it’s what got her through the COVID-19 pandemic. After quarantine, she returned to the industry to make games at Possibility Space, where she helps people manage time and resources so that they can make amazing games.
Brendan McLeod (he/him)
Senior Game Designer
If it weren’t for his grandmother, an incredible Scrabble player, Brendan might not have developed a lifelong passion for games. She bought an SNES that he would play on when he’d come over and she encouraged him to make his own games. Scrabble was to his grandmother what tabletop gaming is to Brendan. When he’s not volunteering at a local wildlife rescue to help orphaned and injured animals, he’s thinking about tabletop games. He’s worked at many studios, but he’s found a home at Possibility Space because he gets to do what he loves: writing documents, hosting meetings, and having conversations to work on an engine that creates experiences players might not have otherwise.
Amelia Nielsen (she/her)
Art Outsourcing Manager
With a degree in Technical Art from University of Utah, Amelia Nielsen joins Possibility Space with credits as Outsourcing Associate Producer at Sony Santa Monica (God of War Ragnarök), and Producer/Outsource Manager at WB Games (Hogwarts Legacy). As Art Outsource Manager at Possibility Space, Amelia loves the breadth of what she gets to be involved in. Every day, she works with a range of artists with creative specialties, reviewing portfolios, building briefs, and providing feedback for team growth. Amelia can’t wait to ramp up the outsourcing pipeline as things start moving ahead, and she loves working with such a supportive and kind team.
Jessica “Jex” Ballard (she/her)
Player Research Program Manager
Jessica has had a passion for games since the Atari days, but it was the community behind games where Jessica found a sense of belonging and purpose. Jessica, aka Jex, joins Possibility Space after working as Community Content and Program Manager for Age of Empires Her career in game community support and development started by attending and coordinating game conventions. As one of the founding members of GeekGirlCon, Jex spent 4 years managing volunteer operations. Jess lives in Seattle where she enjoys local coffee and hanging out with her cat Ono. She loves building inclusive communities around a shared joy of gaming and is excited to work towards a shared community vision with Possibility Space.
Ed Earl (he/him)
Senior Gameplay Engineer
Emily Winjum (she/they)
When Emily isn’t reading or writing about interstellar spacefaring, she’s elbow-deep in the web of behind-the-scenes systems that make a game tick. She got her start constructing websites, databases, and access portals for companies like Big Zeta and WayScript. But when it became clear she could only get so fired up working on the kinds of tools she’d never really use herself, she shifted toward game development. Her most rewarding work comes from crafting experiences that are personal and meaningful. That was the draw of Possibility Space, having a hand in something that could make a lasting impression on players. When she’s AFK, you’ll find her writing music, jamming away on the clarinet or saxophone, and listening to prog rock (which she describes as “kind of its own self burn”).
Katie Carter (she/her)
As a Backend Software Engineer with Possibility Space, Katie is excited to build features that have a direct impact on how players bond with one another. Shortly after graduating from University of Washington with a BS in Computer Science, Katie interned and eventually started working at Microsoft as a Software Engineer. Originally, Katie thought she would pursue a career in info security, but through a series of fortunate events, she learned about the Xbox live services team and was able to start her career in gaming. As a kid, Katie grew up loving video games, particularly puzzle-based games. She sees her job as an extension of her love for puzzle solving: How do you get technical features and pieces to fit together and create an amazing player experience? Katie loves being a part of a passionate team, doing impactful work they all enjoy.